The Women in Othello Essay - 1080 Words

The women in Othello are synonymous with Venetian societal standards. Only three women are characters in Othello: Desdemona, Emilia and Bianca but the roles these women play give the reader an idea of how women were portrayed, not only in Shakespeares Othello but in society in general. Women were viewed merely as possessions. After the Duke allows Desdemona to accompany Othello to Cyprus, Othello says To my conveyance I assign my wife (I.3.283), this statement implies that Desdemona and a possession to be transported and guarded. The first Senators phrase use Desdemona well (I.3.288) may suggest he hopes Othello will look after Desdemona, but is more likely to support the the expectations Venetian women had in the 1600s. They were†¦show more content†¦Undoubtedly a stronger character, Emilia has also accepted her role in society. At the end of the play while revealing Iagos plan she states Tis proper I obey him, but not now (V.2.195). Although she has just betrayed Iago,she still feels the need to explains her reasoning for not obeying him. Bianca is also a victim of the role society has set for women. She feels obligated by the standards of society to be circumstanced or to put up with. It was natural for women to be feminine and to obey the men of the so ciety and it was unnatural for them to do anything of the contrary. this concept was widely believed and understood by Shakespeares audience. Modern feminist disagree and say it is not natural for a woman to be feminine, however the women in Othello are pre-feminism and only seem to compound the ideologies of feminism through their actions and behavior. One should not assume that the women of Othello do not question the authority of men at all. Emilia, at the end of Act IV as shes talking to Desdemona explains that women are no different physically than men: Let husbands know, Their wives have sense like them; they see and smell, And have their palates both for sweet and sour As husbands have (IV.9.92-5) She continues on to explain that men and women also share the same desires and affections, but the only difference is men are weaker mentally. This conversation takes place privately and Emilia does notShow MoreRelatedWomen In Othello1691 Words   |  7 PagesWomen of Othello: Lepers or Ladies? Throughout history, there have been social hierarchies imposed upon society. Perhaps one of the most influential was the imposition upon women during the Renaissance era. Women during the Renaissance patriarchy were expected to be proper, pure, and above all else, mindful of the men in their life. In her essay, â€Å"Women in Othello†, Farah Karim-Cooper argues that William Shakespeare’s play, Othello, creates complicated dynamics and roles for the women within it,Read MoreThe Role of Women in Othello777 Words   |  3 Pagescircle but it is ordinarily believed that women are the weaker species. Women in this play conduct themselves in such a way that they allow men to dominate them. Back in the days women were taken as property. They were distrusted and mistreated. Men held more power than women. The disparity in the number of characters expresses the preferred gender in the play; there are more men than women. This bigotry is very much accentuated in the whole play . Women are spoken vicious of and often treated asRead MoreThe Role of Women in Othello645 Words   |  3 Pages There are only three female characters in William Shakespeares play Othello, Desdemona, Othello’s wife, Emilia, Iago’s wife and Desdemona’s lady-in-waiting, and Bianca, a courtesan. When first introduced to this limited number of representatives of the female gender, it is quickly assumed that they will not be very present or have an important role in story. In addition, the male characters of the play see women as submissive and promiscuous possessions that should be controlled by either theirRead MoreRoles Of Women In Othello1112 Words   |  5 PagesIn William Shakespeare’s tragic drama â€Å"Othello†, Shakespeare puts emphasis on the role of the female characters and their influence on the male protagonists. Othello’s love and jealousy regarding his wife made this play a tragedy. There are only three women in the play Othello; Desdemona, Emilia and Bianca. The way in which these women behave and present themselves strongly reflects the i deological expectations of women within Shakespeare’s imagined Venetian society as well as the Elizabethan societyRead MoreWomen In Othello Essay1977 Words   |  8 Pagesone of the most influential was the imposition upon women during the Renaissance era. Women during the Renaissance patriarchy were expected to be proper, pure, and above all else, mindful of the men in their life. In her essay, â€Å"Women in Othello†, Farah Karim-Cooper argues that William Shakespeare’s play, Othello, creates complicated dynamics and roles for the women within it, due to the fact that Shakespeare himself did not believe that women fit easily within the roles that they had been assignedRead MoreThe Heroic Women Of Othello1928 Words   |  8 PagesHeroic Women of Othello A hero is â€Å"a man or woman distinguished by the performance of courageous or noble actions (Oxford English Dictionary).† In a male dominated society, such as the one displayed in the play Othello, many of the heroic attributes of the female characters are overlooked, and they are labeled as either weak or insignificant. However, some of the female roles within this play are more important and heroic than their male counterparts. The particularly important women in Othello areRead MoreWomen in Othello/ Elizabethan Times1608 Words   |  7 PagesRobert).In play Othello identity is a topic that appears throughout the play. In Shakespeare Othello all the women, Desdemona, Emilia and Bianca have no separate identity all three are defined by who they are or not married to or the male characters they are connected with. â€Å"According to the Elizabethan times that the play was written in and the general hierarchies within Venetian society men hold all the power and women are considered to be of low intellect† (Berggren 55). Yet it is the women that speakRead MoreReputation Of Men And Women In Othello1118 Words   |  5 PagesThroughout history, the reputation of men and women has been defined by society in a different matter. During the 16th century, men were viewed accordingly to their military position and societal duties. On the other hand, a womans character was defined by their sexual history, commitment of adultery and servitude to their husband. Such a contrast in perceptions did not only alter the way in which women were regarded by their husbands and society, but it influenced the manner in which men definedRead MorePortrayal Of Women In Othello Essay1102 Words   |  5 PagesWilliam Shakespeare’s play, The Tragedy of Othello: The Moor of Venice, is set during the Renaissance period, therefore men treat women as if they are objects. Even though men treat women badly they still stand up for their beliefs. They are obedient when their husbands tell them to do something but they are still direct even if the outcome is negative. The women in Othello are obedient but straightforward with their opinions because Desdemona married someone unsuitable, without her father’s approvalRead MoreEssay on Role of Women in Othello1742 Words   |  7 PagesRole of Women in Othello  Ã‚        Ã‚  Ã‚   In William Shakespeare’s tragic drama Othello, the wife of the protagonist, Desdemona, is the main female character. Secondly, there is the ancient’s wife, Emilia, who is morally ambivalent. Thirdly, there is the girlfriend of Michael Cassio, Bianca, who makes her appearance later in the drama. This essay will analyze the roles of these three women.    At the outset of the play Iago persuades the rejected suitor of Desdemona, Roderigo, to accompany him

Reagan and Obama A Comparison of Space Policy - 787 Words

Ronald Reagan and Barack Obama both served two terms as president of the United States. As president, both men enjoyed a measure of success with the space program and NASA in general. Each president chose a different set of goals for NASA, however. These goals reflect the presidents’ views on America’s place in the world as a scientific and commercial leader as well as the times in which the two presidents served. President Ronald Reagan inherited the space policy of his predecessor, Jimmy Carter and was not satisfied with its current objectives and lack of direction (Logsdon, 1995). He put together a transition team to draft a new chapter for NASA which was left in an â€Å"untenable position† by Carter’s lack of direction for the agency. The NASA transition team leader, George Low, remarked that NASA can be â€Å"the best in American accomplishment and inspiration for all citizens† (Logsdon, 1995). 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Shakespeares Much Ado About Nothing Essay Example For Students

Shakespeares Much Ado About Nothing Essay Honour, honourable and dishonour, are such profound words because they embody honesty, respect, integrity, fairness, trustworthiness, dishonesty, social standing and dignity. Shakespeares tragi-comedy â€Å"â€Å"Much Ado About Nothing†Ã¢â‚¬  encapsulates the role that honour plays and will always play in a loving and caring relationship and forces us to hold the mirror up to the conflicts and dilemmas that revolve around honour in our own lives. Although to love, honour and obey is the wedding vow where we pledge to honour and cherish one another in good times and in bad times, it seems without doubt that honouring thy partner is one of the first vows to be disregarded and this is wrong because without honour how can we love? Honour is one of the corner stones of Christianity. John 3:07 says â€Å"Husbands honour your wives† and Moses when he handed down the Ten Commandments made the third commandment â€Å"Honour thy father and thy mother. † â€Å"Much Ado About Nothing†Ã¢â‚¬  shows us varying examples of the code of honour in action and the reader begins to question whether love and honour are so bound together that when you dishonour somebody you can no longer love them? We see first hand the effect on others when people seek to gain honour or a higher social ranking by forming dishonest relationships and that in fact these actions typify dishonour and relationships formed on this premise lack any emotional substance and are doomed to failure. Overall, honour is such an integral part of our everyday lives that without it our world becomes an immoral and unethical place of deceit. However before we can really grasp this concept we need to understand more critically what the code of honour stands for. A ‘code of honour is a set of standards for behaving honourably, usually unwritten but understood by the group to which they pertain’. We are used to hearing ‘you dont love me, you dont love me’, but do we ever hear ‘you dont honour me’. Honour is such an integral part of love, that it becomes the outward expression of how much we love somebody, and it defines the lengths we are willing to go in order to protect our loved one’s honour. Shakespeare’s tragicomedy â€Å"â€Å"Much Ado About Nothing†Ã¢â‚¬  pivots around love and marriage and the importance honour plays when love is at stake. Although many Messinian attitudes to honour can be classified as sexist and express different cultural values, the one thing that remains true is the impact that honour has on a functioning relationship. Shakespeare shows us through the young naive couple, Claudio and Hero, who believe they are in love, the impact that honour has on a relationship, because on closer investigation we see their relationship is fickle and driven by dishonest motives. In contrast to this couple Shakespeare gives us Beatrice and Benedick, a couple brought to the very brink of destruction over the question of honour. We see brothers who are prepared to sacrifice honour in their battle for power and we see a father, whose job supposedly is to uphold his daughters honour in the community, publicly join in stripping his daughter of her honour. When we focus on the intriguing relationship between Claudio and Hero, it seems from the outset that this relationship is a doomed disaster. Formed on the promise of an inheritance, social position and suitability, it has no substance whatsoever and the only thing that both Claudio and Hero have in common is that they think they will inadvertently gain honour through gaining a higher social standing if they agree to marry. When we first see Claudio, we see a man turning from the perils of war to the perils of love, a dangerous transition. A soldiers honour, although implicated with that of his male confederates, nevertheless lies chiefly in his own hands, but that of a lover is inseparably bound up with the conduct of the woman he loves. .u4c1bafcefe35de9b1da04aa0ade7c691 , .u4c1bafcefe35de9b1da04aa0ade7c691 .postImageUrl , .u4c1bafcefe35de9b1da04aa0ade7c691 .centered-text-area { min-height: 80px; position: relative; } .u4c1bafcefe35de9b1da04aa0ade7c691 , .u4c1bafcefe35de9b1da04aa0ade7c691:hover , .u4c1bafcefe35de9b1da04aa0ade7c691:visited , .u4c1bafcefe35de9b1da04aa0ade7c691:active { border:0!important; } .u4c1bafcefe35de9b1da04aa0ade7c691 .clearfix:after { content: ""; display: table; clear: both; } .u4c1bafcefe35de9b1da04aa0ade7c691 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u4c1bafcefe35de9b1da04aa0ade7c691:active , .u4c1bafcefe35de9b1da04aa0ade7c691:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u4c1bafcefe35de9b1da04aa0ade7c691 .centered-text-area { width: 100%; position: relative ; } .u4c1bafcefe35de9b1da04aa0ade7c691 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u4c1bafcefe35de9b1da04aa0ade7c691 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u4c1bafcefe35de9b1da04aa0ade7c691 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u4c1bafcefe35de9b1da04aa0ade7c691:hover .ctaButton { background-color: #34495E!important; } .u4c1bafcefe35de9b1da04aa0ade7c691 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u4c1bafcefe35de9b1da04aa0ade7c691 .u4c1bafcefe35de9b1da04aa0ade7c691-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u4c1bafcefe35de9b1da04aa0ade7c691:after { content: ""; display: block; clear: both; } READ: Biography William Shakespeare EssayBefore Claudio is willing to commit to Hero he first finds out whether his love is the heiress of Leonato, the governor of Messina. Interestingly, Claudio quickly breaks off the wedding with Hero when he is tricked into believing she is not as chaste as she claims to be, because he knows that in societys eyes she would dishonour both him and her father if the marriage was to proceed as planned. Here we see that Claudio is far too quick to judge his betrothed because he is so worried about how things appear he ignores the despair that losing this love will bring him. Claudio, on his very own wedding day savagely says, There, Leonato, take her back again, Give not his rotten orange to your friend, Shes but the sign and semblance of her honour: Behold how like a maid she blushes here! Oh what authority and show of truth can cunning sin cover itself withal! Claudio’s harsh conduct is inexcusable, however If we look at this relationship through the eyes of Claudio and accept that he believed that Hero had made love with another man, would a man in today’s society act any differently? Would he not direct the same angry anger at the woman as Claudio does at Hero? If a man cheats on a woman in today’s society or vice versa would this not create an uncontrollable outburst of rage? It seems that as an audience we are very quick to judge Claudio as the baddy, but is this attitude valid? Furthermore if we look more closely at the code of honour we see that Claudios actions are in fact justified. In Messinian society a womans honour depends on whether she is a virgin, just as in our society if a woman is extremely promiscuous she loses much of her dignity, integrity and inadvertently her honour. The only way Claudio can remove the dishonour from his own name and fix it where it truly belongs is by such a shapely revenge. Another flash-point in the social structure of Shakespearian times is that if princes and friends may play false, then so too may women. Insincerity was endemic, and real feelings must never subvert sham, false ones. Claudio and Don Pedro believe what they are told they see, not only because they trust men rather than women, but also because they know that women are born to betray men. They have a misogynistic vocabulary of accusation ready to hand. Hero is a ‘rotten orange’, a ‘common stale’, an ‘approved wanton’, raging like an animal ‘in savage sensuality’ and she must be shamed and anathematised, for her sins. â€Å"â€Å"Much Ado About Nothing†Ã¢â‚¬ , is best considered as a problem play, whose disturbing ending dramatises the inadequacy of the ideology by which its ruling classes rule. It is a comedy of social manners whose romance structure, with its improbable story, characters and denouement, makes deliberate play on the social tensions which in real life are not so readily resolved. It is an affectionate critique of upper-class manners, whose outwardness in matters of love and religion ran contrary to the new expectations of the inner life that were becoming widely accepted in Elizabethan England. Shakespeare’s â€Å"â€Å"Much Ado About Nothing†Ã¢â‚¬  highlights many weaknesses in human nature and the complexity in the relationship between love and honour. However crossing the boundaries between our world and Shakespeare’s world a few absolutes remain. Loyalty, trust, integrity and fairness are all words which embody ‘honour’ both in Shakespeare’s time and in our own time and must remain to the fore if love is to prosper.